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Joe Satriani
: I've always spent a lot of time on my records with what I think were unique rhythmic approaches ... but no one ever writes about your rhythm playing
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Joe Satriani quote-I've always spent a lot of time on my records with what I...
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The rhythm of the weekend, with its birth, its planned gaieties, and its announced end, followed the rhythm of life and was a substitute for it.
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Nancy Sproat :
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How pleasant is Saturday night when I've tried all the week to be good, and not spoke a word that was bad, and obliged everyone that I could.
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Francoise Sagan :
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Writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.
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Robert Smith :
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I've always spent more time with a smile on my face than not, but the thing is, I don't write about it. (Rolling Stone magazine 1997)
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Robert Penn Warren :
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But to poetry — You have to be willing to waste time. When you start a poem, stay with it and suffer through it and just think about nothing, not even the poem. Just be there. It's more of a prayerful state than writing the novels is. A lot of the novel is in doing good works, as it were, not praying. And the prayerful state is just being passive with it, mumbling, being around there, lying on the grass, going swimming, you see. Even getting drunk. Get drunk prayerfully, though.
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John Galsworthy :
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Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so — the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years. Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality — perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.
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E B White :
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I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority.
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Upton Sinclair :
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I just put on what the lady says. I've been married three times, so I've had lots of supervision.
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Glenn Beck :
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"In a lot of ways, I'm just an average Joe. But on radio, I can take listeners to places they haven't seen, to times that are lost. And I've only begun to scratch the surface."
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William Saroyan :
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I say the time is ripe for a William Saroyan revival... Bill Saroyan, that rollicking elf of an author who knew well of irony and compassion and laughter, wrote first-class original works for television, and the adaptations of his plays invariably hit the mark. I am thinking now in particular of the Playhouse 90 production of "The Time of Your Life." In it Jackie Gleason delivered a tremendous portrayal as Joe the philosopher who had this wistful greeting for everyone who entered the bar: "What's the dream?" ... In one of his last essays you may find a perceptive line that tells of the Saroyan working philosophy: "The purpose of writing is both to keep up with life and to run ahead of it." ... He looked, William Saroyan, exactly the way you would expect him to look. He had a huge mustache and a booming voice and a commanding presence. He was exuberant. He was mischievous. He was fun. ... How he could make the English language soar! His words danced. This was writing that was never inhabited by wallflowers. This was Bill Saroyan.
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Joe Satriani Wisdom feed
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Joe Satriani:
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When you hear something you don't like, don't ever play it again.
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Joe Satriani:
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If someone can relate my guitar solo to an exercise in a book ... that's no fun at all.
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Joe Satriani:
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It really sucks when music is so perfect you just don't need to hear it anymore.
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Joe Satriani:
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I'm ready to take the heat.
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Joe Satriani:
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My inspirations don't come from outer space, they just come to me. I have no idea why they come when they do.
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Joe Satriani:
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Song ideas have come to me in the middle of interviews, in the shower, or while I'm writing another song.
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Joe Satriani:
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I write the songs first and in most cases teach myself the technique second.
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Joe Satriani:
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My first [guitar] lessons lasted two weeks and it was "Jingle Bells." It didn't make any sense at all. I wanted to know how to play like Hendrix...
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Joe Satriani:
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I've always spent a lot of time on my records with what I think were unique rhythmic approaches ... but no one ever writes about your rhythm playing
"
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Joe Satriani:
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When you hear an instrumental song someone is singing over, you know right away it's wrong.
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