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CATEGORIES
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Critics and Criticism
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Audiences
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Practice
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Acting and Actors
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Youth
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Entertainment
Ignacy (Jan) Paderewski
: If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.
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Ignacy (Jan) Paderewski quote- If I miss one day of practice, I notice it. If...
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Gerald Early :
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The Miss America contest is the most perfectly rendered theater in our culture, for it so perfectly captures what we yearn for: a low-class ritual, a polished restatement of vulgarity, that wants to open the door to high-class respectability by way of plain middle-class anxiety and ambition.
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Walter M (Jr ) Miller :
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The monks of the earliest days had not counted on the human ability to generate a new cultural inheritance in a couple of generations if an old one is utterly destroyed, to generate it by virtue of lawgivers and prophets, geniuses or maniacs; through a Moses, or through a Hitler, or an ignorant but tyrannical grandfather, a cultural inheritance may be acquired between dusk and dawn, and many have been so acquired. But the new "culture" was an inheritance of darkness, wherein "simpleton" meant the same thing as "citizen" meant the same thing as "slave." The monks waited. It mattered not at all to them that the knowledge they saved was useless, that much of it was not really knowledge now, was as inscrutable to the monks in some instances as it would be to an illiterate wild-boy from the hills; this knowledge was empty of content, its subject matter long since gone. Still, such knowledge had a symbolic structure that was peculiar to itself, and at least the symbol-interplay could be observed. To observe the way a knowledge-system is knit together is to learn at least a minimum knowledge-of-knowledge, until someday — someday, or some century — an Integrator would come, and things would be fitted together again. So time mattered not at all. The Memorabilia was there, and it was given to them by duty to preserve, and preserve it they would if the darkness in the world lasted ten more centuries, or even ten thousand years... ~ Ch 6
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Raymond Chandler :
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The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.
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Orson Welles :
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The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
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Jascha Heifetz :
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If I don't practice one day, I know it; two days, the critics know it; three days, the public knows it.
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Billy Wilder :
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An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark -- that is critical genius.
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George Colman :
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O Miss Bailey! Unfortunate Miss Bailey!
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Cyril Connolly :
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Youth is a period of missed opportunities.
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Duke Ellington :
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Playing "Bop" is like playing Scrabble with all the vowels missing.
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W Somerset Maugham :
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By the time a man notices that he is no longer young, his youth has long since left him.
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Ignacy (Jan) Paderewski Wisdom feed
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Ignacy (Jan) Paderewski:
"
If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.
"
# Practice
# Critics and Criticism
# Audiences
Gift it
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Facebook
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Email
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Powerpoint
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